16 min 30 s · captions available in the player.

The film opens in 1770 with a chess-playing automaton that fooled the courts of Europe, then works through five questions in turn. Hobbes called reason nothing but reckoning. Lovelace doubted that an engine could originate anything, and Turing answered her in 1950 with the imitation game. The last chapter asks what changes once the machine learns.

I made it with an automated pipeline I built for the purpose. The visuals are archival stills from Wikimedia Commons, animated with slow camera moves, plus motion graphics drawn for the film. The narration is a synthetic voice. The score uses public-domain and Creative Commons recordings, credited at the end of the film and in full below.

Chapters

Read the narration

Cold Open 0:00

Vienna, 1770. In a candlelit room at Schönbrunn Palace, the imperial court gathers around a cabinet.

Behind it sits a life-sized figure in Ottoman robes.

Its inventor opens the doors. Gears. Cylinders. Clockwork. He closes them.

The figure turns its head, lifts its arm... and moves a chess piece.

Two hundred and forty-six years later, in Seoul, another machine faces one of the greatest Go players alive: Lee Sedol.

On move thirty-seven, the machine plays a stone so strange one commentator thinks it's a mistake.

Lee Sedol takes nearly fifteen minutes to answer.

Two rooms. Two boards.

One question: can a machine think?

To get from that room to this one, we have to go back further, to a man certain it could not.

I. Is Thinking Just Counting? 1:26

In 1637, René Descartes imagined a machine built to look and move like us.

It might speak words, he wrote, even cry out if you touched it.

But it could never "arrange them variously so as appositely to reply to what is said in its presence".

Speech was the proof of a mind. Remember that test.

Not everyone agreed.

In Paris, an English exile, Thomas Hobbes, attacked Descartes's ideas in print, and Descartes answered him curtly.

Hobbes would later write: "Reason, in this sense, is nothing but Reckoning".

If thinking is arithmetic, a machine could do it.

In September 1647, Descartes called on a frail young man in Paris: Blaise Pascal, who at eighteen had begun building a calculating machine.

They argued for two days, about whether empty space could exist.

Descartes later wrote that Pascal had too much vacuum in his head.

Pascal's own verdict: "The arithmetical machine produces effects which approach nearer to thought than all the actions of animals. But it does nothing which would enable us to attribute will to it".

No will.

Then Gottfried Leibniz built a machine that could multiply,

and dreamed of settling every argument by saying: "Let us calculate."

He even wrote numbers with just two digits: one and zero.

No one could settle it. So instead... they built illusions.

II. Can a Machine Fool Us? 3:38

In Paris, crowds flocked to Vaucanson's mechanical duck.

It flapped, it ate, and then, to everyone's delight, it seemed to digest.

A century later, by a magician's account, the secret was pre-loaded breadcrumbs, dyed green.

In Switzerland, the Jaquet-Droz family built a boy who writes whatever message you program into him.

He still writes.

And the Turk? It toured, on and off, for more than fifty years, and reportedly beat Napoleon.

In 1836, Edgar Allan Poe watched it play.

A true machine, he argued, like Mr. Babbage's, follows fixed steps. Chess does not.

His verdict: "It is quite certain that the operations of the Automaton are regulated by mind, and by nothing else."

He was right, and he wasn't the first to suspect it.

Inside, by candlelight, sat a human chess master. The thinking machine was a man in a box.

In 1854, the Turk burned in a Philadelphia museum.

One witness claimed that through the flames he heard it cry out: check... check.

The Turk had been a lie.

But the machine Poe mentioned was real, and its inventor dreamed far bigger.

III. Can a Machine Create? 5:35

As a boy, Charles Babbage was enchanted by a silver dancing automaton.

"Her eyes were full of imagination, and irresistible."

In Lyon, a loom ran on punched cards: change the cards, change the pattern.

If cards could weave flowers, why not numbers?

Babbage designed an engine you could program. No one would pay to build it.

But one person saw what it could become: Ada Lovelace, the daughter Lord Byron left behind, raised by her mother on mathematics.

She wrote that "the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves".

And that it "might compose elaborate and scientific pieces of music".

Her notes held what many call the first computer program.

Then she drew a line herself: "The Analytical Engine has no pretensions whatever to originate anything."

In 1816, the summer Ada's father fled England, he rented a villa on Lake Geneva.

There, Mary Shelley began a story about a man who builds a creature he cannot control.

Ada Lovelace died in 1852, at thirty-six, the same age as her father.

Babbage died nineteen years later, his engine still on paper.

Yet the dream outlived them. A shoemaker's son, George Boole, had already written logic as algebra.

Its true and false would become Leibniz's one and zero.

Then, in 1921, a Czech play gave the world the word robot, from the Czech for forced labor.

And the robots rise up.

IV. Can Machines Think? 7:55

The world had a word for its nightmare, but no theory.

In 1936, Alan Turing imagined a machine that could imitate any other.

After the war, Turing began a paper: "I propose to consider the question, 'Can machines think?'"

His answer was Descartes's test, turned into a game: if you can't tell a machine from a person in conversation, why say it can't think?

He even answered Ada Lovelace, by name, under the heading "Lady Lovelace's Objection".

His reply: "Machines take me by surprise with great frequency."

In 1952, he ran a chess program by hand, playing the machine himself.

The Turk had hidden a man in a machine. Turing became the machine.

That same year, the country he had helped save prosecuted him for being gay, and made him undergo hormone treatment.

In 1954, he was found dead. He was forty-one.

Two years after his death, the field got its name at Dartmouth: artificial intelligence.

Its founders hoped for real progress in one summer.

Then a young psychologist, Frank Rosenblatt, unveiled a learning machine modeled on the brain.

The New York Times said it was expected to "walk, talk, see, write, reproduce itself and be conscious of its existence".

His most famous critic, Marvin Minsky, had gone to the same Bronx high school, and thought it a dead end.

At MIT, Joseph Weizenbaum's ELIZA played therapist.

His secretary, he wrote, asked him to leave the room so she could talk to it.

It shocked him.

Then Minsky and Papert published a book proving what simple perceptrons could never learn. The money moved on.

Two years later, Rosenblatt died in a boating accident. Winter had come.

V. What If It Learns? 10:50

And the winter deepened.

A British government report found AI had not produced "the major impact that was then promised".

Funding froze on both sides of the Atlantic.

Through the cold, a few kept Rosenblatt's idea alive, and showed how artificial neurons could learn from their mistakes.

But the money chased expert systems, Leibniz's dream as a product, until the market for their special computers collapsed in a single year.

A second winter fell. For years, many researchers avoided calling their work AI.

Still, rules could play chess. Garry Kasparov beat IBM's Deep Blue.

In the rematch, the machine played a quiet move that looked too human.

Kasparov's first instinct was Europe's in 1770: someone must be inside.

He accused IBM of cheating and lost the match. No one was inside.

Deep Blue didn't learn; it searched, by rules people gave it.

Learning needed what Rosenblatt never had. The internet brought data.

Video games brought power: graphics chips doing many sums at once.

On two such chips, in a bedroom, two of Geoffrey Hinton's students trained a network that crushed the field on Fei-Fei Li's ImageNet.

Hobbes had said reason is nothing but reckoning. No one wrote this machine's rules. It learned them.

And so, back to Seoul. Game two. Move thirty-seven. This time, we see what they saw.

European champion Fan Hui: "It's not a human move. I've never seen a human play this move. So beautiful."

Lee Sedol won one game, with a move commentators called divine.

For once, a human had surprised the machine.

Three years on, he retired: "Even if I become the number one, there is an entity that cannot be defeated."

One frontier remained: Descartes's.

A year after Seoul, a Google paper, "Attention Is All You Need", introduced the transformer, a network that learned which words matter to which.

Five years later, ChatGPT took the world by storm: a reported million users in five days, an estimated hundred million in two months.

A machine could finally arrange words to reply to whatever was said to it.

Three hundred and eighty-five years after Descartes said it never could.

Epilogue: So, Can a Machine Think? 14:31

Today, AI no longer just generates words and images. It acts.

Agents plan, browse, write and run code, and carry out some tasks on their own.

Two centuries after Lake Geneva, Mary Shelley's fear has a new shape: machines that act.

Some of AI's own builders have warned of the risks.

Now AI is stepping off the screen. Descartes imagined a machine built to look and move like us.

Robots shaped like us are learning to move.

They need what every child learns: how the world works.

Enter world models: AI that learns to predict what happens next.

The machines count, converse, surprise, and begin to move.

But open the cabinet today, and the oldest question is still inside. Whether anyone is in there.

Whether, in Pascal's word, it has a will.

Full credits: quotations, music, images and tools

A History of Artificial Intelligence

Narration

  • Voice: Ava (Microsoft Edge neural TTS) — en-US-AvaNeural, rate -15%

Narration synthesized with Microsoft Edge Read Aloud voices via the unofficial edge-tts client; intended for personal, non-commercial use.

Quotation sources

Music

Licensed recordings, in order of first use. Every track was edited (excerpted, looped where needed, equalized, level-adjusted and crossfaded under the narration).

The Planets, Op. 32: VII. Neptune, the Mystic

Attribution:

The Planets, Op. 32: VII. Neptune, the Mystic — Gustav Holst, performed by "The President's Own" United States Marine Band. Public domain (US federal government work). Source: https://commons.wikimedia.org/wiki/File:HOLST_%22The_Planets,_Op._32_7._Neptune,_the_Mystic%22_-_%22The_President%27s_Own%22_U.S._Marine_Band.opus

Interloper

Attribution:

"Interloper" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Air (Orchestral Suite No. 3, BWV 1068)

Attribution:

Air (Orchestral Suite No. 3, BWV 1068) — Johann Sebastian Bach, performed by the Air Force Strings, United States Air Force Band. Public domain (US federal government work). Source: https://commons.wikimedia.org/wiki/File:Air_-_Air_Force_Strings_-_United_States_Air_Force_Band.mp3

Frost Waltz

Attribution:

"Frost Waltz" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Dark Times

Attribution:

"Dark Times" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Symphony No. 5: IV. Adagietto

Attribution:

Symphony No. 5: IV. Adagietto — Gustav Mahler, performed by the Peabody Symphony Orchestra. CC0 1.0. Source: https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5,_IV._Adagietto.ogg

Long Note Three

Attribution:

"Long Note Three" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Prelude and Action

Attribution:

"Prelude and Action" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Lost Time

Attribution:

"Lost Time" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Majestic Hills

Attribution:

"Majestic Hills" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Long Note Two

Attribution:

"Long Note Two" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

The Planets, Op. 32: V. Saturn, the Bringer of Old Age

Attribution:

The Planets, Op. 32: V. Saturn, the Bringer of Old Age — Gustav Holst, performed by "The President's Own" United States Marine Band. Public domain (US federal government work). Source: https://commons.wikimedia.org/wiki/File:HOLST_%22The_Planets,_Op._32_5._Saturn,_the_Bringer_of_Old_Age%22_-_%22The_President%27s_Own%22_U.S._Marine_Band.opus

Long Road Ahead

Attribution:

"Long Road Ahead" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Arcadia

Attribution:

"Arcadia" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Gymnopédie No. 1

Attribution:

Gymnopédie No. 1 — Erik Satie, performed by Robin Alciatore (Musopen). Public domain. Source: https://commons.wikimedia.org/wiki/File:Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg

Five Armies

Attribution:

"Five Armies" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Lightless Dawn

Attribution:

"Lightless Dawn" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

  • Sound effects and motifs (riser, hits, clock ticks, Go stones, the Lovelace and clockwork motifs) synthesized in Python (NumPy/SciPy).

Images

Archival images from Wikimedia Commons. Every image was modified: cropped, color graded, animated.

descriptionfile pageauthorlicense
The Turk, front view with doors open (Racknitz, 1789)https://commons.wikimedia.org/wiki/File:Racknitz_-_The_Turk_1.jpgJoseph RacknitzPublic domain
Lee Sedolhttps://commons.wikimedia.org/wiki/File:Lee_Se-Dol_-_2016_(cropped).jpgLG ElectronicsCC BY 2.0
René Descartes, after Frans Halshttps://commons.wikimedia.org/wiki/File:Frans_Hals_-_Portret_van_Ren%C3%A9_Descartes.jpgAfter Frans HalsPublic domain
Thomas Hobbes, by John Michael Wrighthttps://commons.wikimedia.org/wiki/File:Thomas_Hobbes_by_John_Michael_Wright.jpgJohn Michael WrightPublic domain
Leviathan frontispiece, Abraham Bosse, 1651https://commons.wikimedia.org/wiki/File:Leviathan_frontispiece.jpgAbraham BossePublic domain
Blaise Pascalhttps://commons.wikimedia.org/wiki/File:Blaise_Pascal_Versailles.JPGunknown; a copy of the painting of François II Quesnel, which was made for Gérard Edelinck en 1691[réf. nécessaire].Public domain
Pascaline, Musée des Arts et Métiershttps://commons.wikimedia.org/wiki/File:Arts_et_Metiers_Pascaline_dsc03869.jpgDavid.MonniauxCC BY-SA 3.0
Leibniz's stepped reckoner (replica)https://commons.wikimedia.org/wiki/File:Leibnitzrechenmaschine.jpgUser:KolossosCC BY-SA 3.0
Gottfried Wilhelm Leibniz, by Christoph Bernhard Franckehttps://commons.wikimedia.org/wiki/File:Christoph_Bernhard_Francke_-_Bildnis_des_Philosophen_Leibniz_(ca._1695).jpgChristoph Bernhard FranckePublic domain
Discourse on the Method, title page of the first edition, 1637https://commons.wikimedia.org/wiki/File:Page_de_titre_de_la_premi%C3%A8re_%C3%A9dition_du_discours_de_la_m%C3%A9thode.jpgUnknown (see file page)Public domain
Vaucanson's Digesting Duckhttps://commons.wikimedia.org/wiki/File:Digesting_Duck.jpgA. Konby (?)Public domain
The Writer, Jaquet-Droz automatonhttps://commons.wikimedia.org/wiki/File:Jaquet_Droz_automata_-_Writer.jpgGre regimentCC BY-SA 4.0
The Automaton Exhibition, Gothic Hall, London, 1826https://commons.wikimedia.org/wiki/File:The_Automaton_Exhibition_1826_at_Gothic_Hall_in_Haymarket_London.jpgTheodore LanePublic domain
Edgar Allan Poehttps://commons.wikimedia.org/wiki/File:Edgar_Allan_Poe_daguerreotype_crop.pngUnknown author; most likely George C. Gilchrest, Samuel P. Howes, James M. Pearson, or Andrew J. Simpson, all of Lowell, MAPublic domain
The Turk, rear view (Racknitz, 1789)https://commons.wikimedia.org/wiki/File:Racknitz_-_The_Turk_2.jpgJoseph RacknitzPublic domain
The Turk, Racknitz's reconstruction of the hidden operator (1789)https://commons.wikimedia.org/wiki/File:Racknitz_-_The_Turk_3.jpgJoseph RacknitzPublic domain
The Turk, the operator's hidden compartment (Racknitz, 1789)https://commons.wikimedia.org/wiki/File:Racknitz_-_The_Turk_4.jpgJoseph RacknitzPublic domain
Difference Engine built from Babbage's designshttps://commons.wikimedia.org/wiki/File:Difference_engine.JPGAllan J. CroninCC BY-SA 3.0
Charles Babbagehttps://commons.wikimedia.org/wiki/File:Charles_Babbage_-_1860.jpgUnknown (see file page)Public domain
Jacquard loom with punched cards, National Museum of Scotlandhttps://commons.wikimedia.org/wiki/File:A_Jacquard_loom_showing_information_punchcards,_National_Museum_of_Scotland.jpgStephencdicksonCC BY-SA 4.0
Ada Lovelacehttps://commons.wikimedia.org/wiki/File:Ada_Lovelace_portrait.jpgAlfred Edward ChalonPublic domain
Analytical Engine trial model, Science Museum, Londonhttps://commons.wikimedia.org/wiki/File:Analytical_engine_trial_model,_Charles_Babbage,_1834-1871_-_Science_Museum,_London_-_DSC05565.jpgDaderotCC0
Ada Lovelace's Note G table for the Bernoulli numbers, 1843https://commons.wikimedia.org/wiki/File:Diagram_for_the_computation_of_Bernoulli_numbers.jpgAda LovelacePublic domain
Frontispiece to Frankenstein, 1831, Theodor von Holsthttps://commons.wikimedia.org/wiki/File:Frontispiece_to_Frankenstein_1831.jpgTheodor von HolstPublic domain
Ada Lovelace, daguerreotype by Antoine Claudet, 1843https://commons.wikimedia.org/wiki/File:Ada_Lovelace_daguerreotype_by_Antoine_Claudet_1843_-_cropped.pngAntoine ClaudetPublic domain
George Boolehttps://commons.wikimedia.org/wiki/File:Portrait_of_George_Boole.pngUnknown (see file page)Public domain
R.U.R. by Karel Čapek, Federal Theatre Project poster, 1939https://commons.wikimedia.org/wiki/File:R.U.R._by_Karel_%C4%8Capek_1939.jpgWork Projects Administration Federal Art Project, New York CityPublic domain
Alan Turing, 1930shttps://commons.wikimedia.org/wiki/File:Alan_Turing_az_1930-as_%C3%A9vekben.jpgUnknown (see file page)Public domain
Bombe rebuild, Bletchley Parkhttps://commons.wikimedia.org/wiki/File:Bombe-rebuild.jpgEEng (Wikimedia Commons uploader)CC BY-SA 3.0
Walter Pitts with Jerome Lettvinhttps://commons.wikimedia.org/wiki/File:Lettvin_Pitts.jpgIapx86CC BY-SA 3.0
Alan Turing, 1951https://commons.wikimedia.org/wiki/File:Alan_Turing_(1951).jpgElliott & FryPublic domain
Alan Turing, aged 16https://commons.wikimedia.org/wiki/File:Alan_Turing_Aged_16.jpgPossibly Arthur Reginald Chaffin (1893-1954)Public domain
Dartmouth Hall, Dartmouth Collegehttps://commons.wikimedia.org/wiki/File:Dartmouth_Hall_-_Dartmouth_College_-_DSC01608.jpgDaderotCC0
Mark I Perceptronhttps://commons.wikimedia.org/wiki/File:330-PSA-80-60_(USN_710739)_(20897323365).jpgNational Museum of the U.S. NavyPublic domain
Marvin Minskyhttps://commons.wikimedia.org/wiki/File:Marvin_Minsky_at_OLPCb.jpgThe original uploader was Sethwoodworth at English Wikipedia.CC BY 3.0
Symbolics Lisp machinehttps://commons.wikimedia.org/wiki/File:Symbolics_LISP_Machine,_Google_NY_office_computer_museum.jpgMarcin Wichary from San Francisco, U.S.A.CC BY 2.0
Garry Kasparovhttps://commons.wikimedia.org/wiki/File:Kasparov_Magath_1985_Hamburg-2.pngKasparov_Magath_1985_Hamburg.jpg: GFHund derivative work: Hardy Linke (talk)CC BY 3.0
Nvidia GeForce GTX 580 graphics card (EVGA), 2010https://commons.wikimedia.org/wiki/File:EVGAGeforceGTX580.jpgTheStrikerCC BY-SA 4.0
Go boardhttps://commons.wikimedia.org/wiki/File:FloorGoban.JPGGoban1Public domain
The transformer architecture (illustration by dvgodoy)https://commons.wikimedia.org/wiki/File:Transformer,_full_architecture.pngdvgodoyCC BY 4.0
Unitree G1 humanoid robot, 2024https://commons.wikimedia.org/wiki/File:Unitree_G1.jpgSayanesyCC0

Images under CC BY and CC BY-SA licenses remain under their respective licenses; the modified versions shown in the film are shared under the same terms where the license requires it (ShareAlike). Public-domain and CC0 images carry no attribution requirement and are credited anyway.

Fonts

  • Helvetica Neue, Avenir Next, New York, Menlo and Apple Symbols (Apple system fonts, used under the macOS license).

Tools

  • Python, NumPy, SciPy, Pillow, FFmpeg (libx264, AAC), edge-tts.